Wednesday, July 30, 2008

Reworking Taos pieces




Sometimes when I go back to rework on a painting, it is obvious to me what needs to be done and with experience I'm learning how. The first two paintings are improved over the original start. I'm still struggling with the third -- time away should give me a fresh perspective.

Thursday, July 24, 2008

Farwell -- Figure Exercise



Wednesday afternoon Ken showed the class a process for incorporating figures into the landscape. My first attempt was a total disaster -- but Thursday evening I went back to the studio and tried again. His process begins using black paint to place vertical lines on the canvas -- this is done in a fairly random way. Next, splashes of skin tone are added to the tops of the black lines. Followed by splashes of colors being added on top of the lines. Then Ken images people in the paint and begins to uses a background color to sculpt and define the figures. He adds the ground and then highlights. So basically, you don't know what the end product will be when you begin. This was uncomfortable for me. Richard Schimd says, "Begin with the end in mind." Certainly not the Auster approach to figures! Ken encouraged us to go home and repeat this exercise 5 or 6 times. I'm going to do just that! (58/83)

View from Dunn Bridge


This morning we were scheduled to paint at the Dunn Bridge. I painted here last week during Kim English's workshop. So I wanted to take the opportunity to paint the same scene as last week -- hopefully to use my knife, incorporate more color and paint on a larger canvas. I'm not finished -- but I have the masses blocked in. I'll finish it when I get home. Overall, I'm much more please with it. The photo isn't great -- too much light.

This is such a beautiful scene. I hope I can finish this painting to really do it
justice. (57/82)

Wednesday, July 23, 2008

Fields of Arroyo Hondo


Today is Wednesday and we returned to Arroyo Hondo to paint. Ken Auster had us focus on changing the color and tone as objects move in the distance. I had too many objects -- making my scene way to complicated. When I returned to the studio I simplified the composition -- I like it much better this way. I picked a tough focal point -- the fence post in the foreground -- it's tough making a simply fence post the focus in front of such glorious mountains. The colors don't seem to be true in this photo. I'll rephotograph it when I get home. (56/81)

Tuesday, July 22, 2008

Gorge at Arroyo Hondo


Tuesday morning we headed out to paint in Arroyo Hondo -- this scene is another attempt at painting the gorge. I'm having a really tough time trying to balance the variables in painting surface (linen or latex housepaint on wood) tools (brush or palette knife). I worked on it more when I returned to the studio -- but it's been a struggle. Ken Auster has a very different approach to painting then I'm accustom -- but I'm learning and will adopt what works for me.(55/80)

Monday, July 21, 2008

Path to the House


Monday was the first day of Ken Auster's workshop. We had a lecture in the morning and were going to paint in the afternoon to practice what he'd taught us. We all got set up and began painting -- and here came the monsoon rains! The first really hard rains we've had. So we all ran for cover. I wanted to paint -- so I opened both doors to the studio and painted a view up the hill to the house where I'm staying. The scene looks more sunny -- and I want to correct the path when I get home.(54/79)

Saturday, July 19, 2008

Setting Sun on the Donner Ranch House


I've wanted to paint the house I've been staying in -- but cars have blocked the view all week. With the workshop over today was my chance. I used a 9X12 canvas and decide to block in the masses and colors – as Kim had encouraged us this week. Within 30 minutes I had finished the scene. This was icing on my cake today. It’s been a very long hard week – a little success feels really good. Once I'm back in Austin, I hope to finish it. (52/77)

Adobe House, Morning Sky


This adobe house is on the Donner Ranch – the sky was done with a palette knife and the mountains and adobe house with a brush. They two parts really don’t look like they belong in the same painting, but I liked the mountain and didn’t want to change it. Soon I’ll paint this house again. (51/76)

Morning Light


Kim English’s workshop ended yesterday. I’m staying at the ranch for the weekend and will be staring Ken Auster’s workshop on Monday. Today, Saturday, is my chance to paint and get some good vibes going. I struggled today, but felt in control. It turned out to be a great painting day. I painted this still life of a window scene – I wanted to try to capture a bit of the light that Kim English is known for. The scene outside the window proved to be a real challenge because it didn't provide me with enough contrast between the vase on the window sill and the greenery outside. I finally lifted off the color of the outside greenery -- I'll finish this when I figure out how best to fix it. I finished the painting I started on Sunday when I arrived. (#50/75)

Friday, July 18, 2008

Progress


Last day of the workshop and I finally had some success. My success doesn’t really show in this sketch. But I think I’m getting the hang of what Kim wants us to do. I’ve been struggling with so many variables – going back to the brush instead of the knife I’ve been using for a couple of months. He also wanted us to try some different ways to lay out our palettes. I think for me it was just too many changes – it immobilized me. But today I finally managed to get my act together and get some paint on canvas. (49/74)

Thursday, July 17, 2008

Pushing Through


In the afternoon we were back at the Ranch; I decided to not wipe off one of the poses – just so I had some record of my progress – or lack thereof. (48/73)

Path up the Gorge


Also from the bridge but the face of the gorge was quite close. This attempt at capturing colors and shapes wasn't successful -- but I sure loved playing with the colors and the challenge of the knife. (47/72)

Dunn Bridge


Today Kim took the class Dunn Bridge or the Gorge Bridge. We had the option of painting the landscape or painting the model. I just needed to feel some success so I thought I’d try painting the gorge. I used my knives. I’ve mainly just been using the brush this week. I did two paintings. This is a view of from the bridge. I loved playing with the colors and this has me wanting to painting granite in the Texas Hill Country. (46/71)

Wednesday, July 16, 2008

bummed....

The workshop is really challenging and I’m struggling – so is everyone else. Kim English wants us out of our comfort zones and he has succeeded. This workshop is about painting the figure in the landscape. We are fortunate to have a great model with us all week. She poses and Kim gives us 5 or 10 minutes to paint the model – he is trying to get us to capture big masses – shapes and colors. Quick! Every time the timer goes off we wipe our canvases and begin again. It is completely draining – I’ve not been able to do every pose – it’s just too overwhelming. I think maybe I’m doing ½ of the poses. I’m spending lots of time after the workshop taking photographs to use in future paintings and working on compositions for studio works once I’m home. Today is Wednesday and I have not kept a single painting. I’m a little bummed out.

Sunday, July 13, 2008

Road to Donner Ranch


I arrived at Donner Ranch on Sunday afternoon. Quickly got settled in and wanted to paint. Other workshop participants were arriving and although I found a good scene to paint and set up my easel, I didn’t complete the piece. I allowed myself to be intimated by the presence of the other artists. By the end of the week, I finally put the piece back on my easel and finished it. Originally I used the palette knife, but finished it on Saturday with a brush. (45/70)

Tuesday, July 8, 2008

Taos Workshops

The rest of July is going to be a very exciting time for me as I will be attending two workshops in Taos, New Mexico. Both will be taught by well known American artists. Kim English is teaching the first workshop, Ken Auster the second. As a new artist, I consider this a great opportunity to learn from some of the very best contemporary artists while having the chance to paint out-of-state.

Unfortunately, the lodge where I'm staying doesn't have internet access so I'll not be able to blog my daily experience. I am hopeful I'll be able to catch a link and post a couple of updates before August 1st.

What is your reaction to their work? Share your thoughts in the comment section.

Friday, July 4, 2008

Celebrity

Just as the salmonella scare hit, the tomatoes in my garden were beginning to ripen. Celebrity variety has been the clear winner this year, beautiful AND tasty. Laying on the color with the palette knife provides an experience I just don't get with the brush. I think I need to harden some of the edges on the right side.

Tuesday, July 1, 2008

Welcome!

Moving into Wetpaintjournal.blogspot.com and creating Hot Off the Easel has been like moving to a new home. At first there is creative work to be done as selections are made -- Blogspot url, actual blog name and colors. Then the grunge work begins as the old files are transferred.

It's taken four days but I've finally: moved posts from my old blog; photographed the paintings I've completed since January 2008; and posted those images with journal comments.

Rebecca

Thursday, June 26, 2008

Bull Creek Take 3

I returned to the same spot at Bull Creek this morning and had another go at this scene. Perhaps I should consider a studio piece using all three plein air pieces as reference.

Wednesday, June 25, 2008

Capturing a Moment

Since painting the dusk at Blanco State Park I've been wanting to paint some sunsets. We are hitting the 100's everyday -- so to avoid the hottest part of the day I'm trying to get out in the morning -- but it is also cool in the evening -- so also ideal painting time.

This is the view from a near by school as the sun sets behind the suburban hills. Painting en plein air at sunset is a blast. Such a rush trying to mix color, assess the landscape and get it on the canvas before it is gone forever.

Bull Creek - Take 2

I returned to Bull Creek today to again try to capture this scene. I liked some of my knife work in this piece. Still playing, still learning and loving every minute!

Monday, June 23, 2008

Chuy's in Paint

I was meeting friends a Chuy's -- to sit outside under the cool trees and relax over lunch. I took my new little cigar box -- hoping to be able to sit at a table and paint. I arrived early, but didn't get up the courage to pull out my paints. After my friends left I used a piece of uncovered, unsealed birch to capture my first "street life" scene. I started another piece on linen, but it turns out it wasn't as cool as I had hoped. The heat got the best of me and I headed home.

Pondside Zinnia

Since I have lots of scrap birch, I thought I'd play with painting just on the wood. I think the paint is sucking up the oil -- since the wood is not sealed. This little flower is one of many around the pond in my backyard.

Rattan Sun Rise

Jumped out of bed this morning when I woke up at 6:30, grabbed my paint box, a Diet Coke and jumped in the car. Drove two blocks away and positioned myself to watch the sunrise. It was an adrenaline rush to be sure. My bleery eyes tried to mix color and make sense of a composition -- I only had a few minutes. I put down the beautiful orange rising above the trees, then the trees. Tried to capture the sky and clouds. Finally I put in the sun. I headed home and back to bed to catch a few more winks. When I woke up, and looked at my first real sun rise, I realized my biggest mistake. Did you spot it? I painted the sun about 20 minutes after I painted the sun rising! What fun it is to paint in plein air. It's all about improving and that was just the first of several big problems with this little early morning work. Next time I need to have some of my Coke on the way to the paint site!

Saturday, June 21, 2008

Summer Stand-out

Just couldn't resist painting the hybiscus on my back porch. It was fun to paint this bright red, especially after all the more muted colors I've been using lately. These linen panels are really nice -- so smooth.

Friday, June 20, 2008

Colors of an Austin Summer

Summer isn't summer for many Austinites until they visit Austin's most popular swimming hole, Barton Springs. It was fun to join my fellow Plein Air Austin painters as we headed out to capture the day in paint.

Saturday, June 14, 2008

Fields of No Lavender

My camping trip was timed to coincide with the annual Lavender Festival. The PAA was scheduled to paint at one of the local lavender farms. Unfortunately for everyone, the lavender isn't blooming in the Texas Hill Country because of the lack of rain. In this piece I wanted to capture shapes and colors.

In the Distance

Man is it hot today! As a couple of my fellow painters Vicki and Rae sat down to eat their lunch I joined them under the shade tree. But it was too hot to eat, so I painted instead. This was our view from the top of the lavender farm. Part of the hills were bare of vegetation, thus the sandy appearance. As I was finishing this piece, a nice couple happened by and admired the painting. That made for a nice ending to my adventure in camping and painting the lavender farm. It felt so good to get home to the air-conditioning and nice bed!

Friday, June 13, 2008

Late Morning at the Farm

Now this is painting made easy. I left my Soltek Easel just outside the tent last night. Got up this morning, picked up the easel, and moved over to my view of the farm to catch the late morning sun. The shadow of the tree in the foreground was short lived. Should I have included the tree casting the shadow in the foreground?

Anybody home?

This trip was a great idea. I'm focused on nothing but painting. I was really taken with this birdhouse. It wasn't my first choice of angle. I saw it last night and could have stood in the road to paint it then, but this morning there is too much traffic so I found a spot across the street. I still want to add some barbed wire and correct a few things. I'm also thinking of glazing the background above the fence.

Carol Marine and her family arrived at the campground in the late afternoon. She's a fellow PleinAir member and part of the Painting-A-Day movement. I enjoyed their company and didn't get the birdhouse painted from the road angle.

Thursday, June 12, 2008

Day is Done on the Farm

I'm hanging out at Blanco State Park for a few days to paint. I arrived Thursday afternoon, set up camp and painted this scene, just behind my campsite as day was coming to an end. Because of the problems I've had recently painting impasto on loose canvas, I've mounted some of my canvas on 1/4" Baltic Birch. What a difference this support offers as I'm working with my knife.

Thursday, June 5, 2008

Bull Creek #1

This little area of Bull Creek is a favorite spot for many kids. We arrived early. I scooped out this spot in the middle of the creek. This was a challenge for me. I want to come back several times to try again. This is progress, the last time I went to an area of Bull Creek I scraped my painting off before I left.

Saturday, May 31, 2008

Peaceful Morning

Carole and Charles Sikes invited the Plein Air Austin group to their home on Lake Travis for a paint-out. I had a great time doing this piece. I'm feeling more comfortable and in control of the knife; I was most pleased with the hills on the horizon. Unfortunately when I put the painting in my wet-paint carrier for the ride home, the painting fell against the inside of the carrier. I did my best to rework it. Between this experience and the impasto style I'm playing with I think I need to begin working on material that is mounted on wood. I'm afraid the days of painting on loose canvas are about gone.

Wednesday, May 21, 2008

Still struggling with my shadows. On some paintings I stop too soon; this painting I continued to long. I hate it when I mess up good work. Oh well. I'm looking foward to a paint-out this weekend with the PleinAirAustin group.

Monday, May 19, 2008

Lime Play

More knife play here. I liked the textures, especially with the slice. I'm still struggling with the color of my shadows. Elizabeth suggested I try a glaze to darken and add color. Oh, that was fun.

Sunday, May 18, 2008

Slice of Light

Okay, back to my comfort zone. Decided to try using the palette knife on a small still life. I don't have the color of the shadow correct -- still might go back and correct it.
This was intended to be paired to the Slice of Lime. Can see what's wrong, just unable to fix it. Carry on!

Saturday, May 17, 2008

I was excited to paint in Terrytown this morning at a private residence with fellow members of PleinAirAustin. This was my second attempt with at a painting using just my palette knife. It's quiet a mess -- but I learned from it -- and that's the point. I made my biggest mistake by not selecting the best angle of my subject. These canvases are heavy due to all the paint. I love the sensation of applying paint with the knife.

Wednesday, May 14, 2008

Garden Walk



Last day of the workshop -- want to make it a good one! We painted on the property of a weaver's store. This morning was tough. I started with a porch scene -- I liked the shapes but the colors seemed so muted. I abandoned the piece and had lunch.

I moved out to the garden area and was inspired by a scene -- Gordon had commented yesterday how little paint I use. What? I always use a lot of paint. What was going on? I had gessoed my canvases -- perhaps that was the difference. I decided to pack up my brush and do a piece just with my palette knife.

This piece is my first attempt with just a knife. It was so freeing! I don't expect anyone to be impressed by it. But I'm definitely going to explore this path. I've included a detail.

Tuesday, May 13, 2008

Shapes and Colors of the Southwest

Tuesday of Gordon Fowler's workshop we remained at the Johnston's farm -- it reminded me of the Southwest. Gordon did another demo and then we were off on our own. I zeroed in on the colors of this building right away. Shapes and color. Gordon came by and did some painting on this piece. That's such a struggle for me, when a teacher paints on my work. Typically I just abandon the painting. The workshop has been both confirming and a struggle. I liked using more paint in this work -- especially to provide texture to the wall.

After this piece I didn't find anything else to paint in the afternoon. Perhaps it was the heat, several people packed up early hoping for more inspiration on Wednesday.

Monday, May 12, 2008

Johnston's Cabin at Blue Hole

When Gordon did his second demo at this little cabin Mr. Johnson build by himself many years ago, the workshop participants all painted the building. Today was about capturing shapes -- so that's what I tried to do. I noticed my paint isn't as thick on the canvas as it usually is. Not sure why, perhaps I'm using too much oil. Gordon was encouraging to me. This workshop is turning out to give me just what I needed -- the experience and courage to just get out there!

Lazy Reflections

Today was the first of three days of a workshop in Wimberley, Texas with Gordon Fowler. The Wimberley Valley Art League. We went first to Blue Hole on the Johnston's property. Gordon has a fabulous lively sense of humor. As he discussed subject selection, I spotted these beautiful cypress trees and was in love with their reflection in the water. Gordon liked it -- he thought it was Abstract Expressionism.

Friday, March 14, 2008

Courage to Paint

Finally today I had the courage to try to paint on location. Two fellow plein-air painters Laurel and Terri, met me at Bull Creek. My first mistake was standing where those walking by could see me paint. I was so self conscious, I couldn't think straight! Then I couldn't settle on a simple composition. I scrapped off my painting and went home. Determined to do something today, I made another attempt and then finally this one. It somewhat resembles the area we painted today. Clearly the painting isn't the success today -- the success was in the learning experience. I've signed up for a plein air workshop with Gordon Fowler; I must gain some comfort with plein air before I go to Taos this summer.

Monday, March 10, 2008

Reflections on a Passing Day

Couldn't decide on what to paint today. I love the colors in the piece yesterday, so I painted this with the same colors but with no picture. Might help if the water were level! LOL

Reflections on Openings

A few friends will look at this and know exactly what it is -- a person unfamiliar with the location thought it was a refrigerator. Who can identify this location?

I just like this door -- what can I say. But I didn't finish it. Sometimes I get to the point that I stop to consider a painting -- but don't return to it. I'm scared I won't be able to match my colors to the original painting. I'd like to go back and paint this en plein air.

Sunday, March 9, 2008

Through the Water

Reflections in water are sooo beautiful. When I saw this orange kayak on the blue lake, I knew I had to paint it.

Saturday, March 8, 2008

Swirl

Thought I'd try another cloth -- but be more certain of what I loved most, so my focal point would be better placed. Which do you like best?

I really like to mix my own black but the colors needed are among the more expensive. It's considerably cheaper to use a black straight from the tube so I was comfortable using more paint.

Sunday, March 2, 2008

Red, White and Black

I had fun setting this up and mixing the black paint. It was a challenge to gray down the black paint to show the distance from the light.

Saturday, February 16, 2008

Canopy of Trees

On the trails close to my house the path passes under a canopy of trees. Once through the canopy, one is back in the sunlight. Still haven't mustered the courage to take my easel out, so I painted this from a photo.

Saturday, February 9, 2008

Capturing a Mood

When Elizabeth, my teacher, suggested I paint a piece of cloth I both loved and dreaded the idea. Getting the cloth in a position that intrigued me and would hold it's shape took most of my painting time yesterday. The cloth was on an icy blue background, but once I'd finished painting the cloth, I thought the black would give it the elegant moment I wanted to capture. The focal point is on the right edge -- this wasn't my original intent, but the more I looked at the cloth the more I was attracted to the beautiful fold so it is the most developed area.